Try imagine the drum hit in its ideal form in your mind first and then listen to the front of the hit change as you adjust the attack. Sure, it increases ratio of the attack to the sustain, but I've always found that it just doesn't DO much to sound. When compressing individual drums, the attack time is the most important control. Need more bite? Compression on bass is another story since you can hear the ratio of the attack to the sustain a lot more well, but on drums it seems to just emphasize those two parts of it a bit and that's it. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Like I say, when doing this forget the volume for a minute and focus only on shape. It controls how long it takes for the compressor to kick in after a signal exceeds the threshold. Yes god points, and just to reiturate Karloff here, the timing has to be in time with the song... make sure its musical and in time.. very Nb. Has anyone ever noticed that snare compression doesn't... help much? … The compression ratio can be set to around 4:1 and the release time to 100 milliseconds. The threshold depends on the peak of the snare drum; feel free to experiment to get the optimum threshold. Right? Obviously it interacts with the tempo of the track, but mostly find in your head the ideal 'landing of the hit in this particular groove and then open up until the front behaves like that. Fast Attack Speed (10 microseconds - 1 millisecond) With a fast attack speed, the compressor kicks in almost immediately, which is great if you’re trying to prevent signals from clipping or tame unruly peaks. EQing a snare drum is easy. I'd set the ratio to basically limiting and attack time at stupid faster than fast. If you’re trying to paint a wall in your house, it’s usually best to apply several … 2ms on one compressor might sound slower than 8ms on another compressor because of how they react. This is the resulting sound: Need more thump? I'm not sure an 1176 alike is a good example for the OP's questions about drums. 2ms on one compressor might sound slower than 8ms on another compressor because of how they react. Focus on how much gets through, not how loud it gets. If it sounds tubby, then pull down 400Hz and sweep the frequency-select knob up and down until you eliminate the offending frequency. It is not dependent on the tempo of the song in any way. When you buy products through links across our site, we may earn an affiliate commission. It’s always there by boosting at 2kHz–5kHz. Well to be fair it's not really supposed to. The compressor that I’m using is the Sony Wave Hammer. At first you will get a sticky, pointy attack. It's primary function is to level up each snare shot, the effect of that levelling on the sound of the snare is just a by-product. Reach for 200Hz–300Hz. As you open up wider it will get more punchy, fisty, as a bigger slice gets through to punch. Compress In Stages. 2:1 Compression ratio Scan mode: RMS Smooth saturation: Yes Attack time: 5ms Release time: 10ms Output gain: 7.6dB. Attack times are meaningless because it really depends on the compressor and how it behaves. For snare and kick, I used to use this trick all the time. Drop a compressor into your kick drum channel, or group if you are using more than one kick sample to make your drum. Most any software or hardware EQ will do the trick when it comes to EQing the snare, but some E… Has anyone ever noticed that snare compression doesn't... help much?

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